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this desire to explain away racist representations in stories we love. . And if you cant end a review on a terrible Culture Club joke when talking about a creation from the 1980s, when can you? Or set itself the task of challenging - racism. This is probably intended to tie in with the story's evidently-deliberate subtext about animals and meat; more broadly, the control of species for use by other species. On the other hand, you can look at 'The Daleks' as a story about the evil troglodytes (the Daleks are very deliberately made into diminutive underground dwellers) who persecute the virtuous, noble, enlightened, tall, Nordic types. The trouble is, the two stories in which he appeared (no, Im not counting Androzani) show this potential off and so one if left to wonder what else there is to be done with the android.
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Looked at one way, the Daleks are Nazis (as externally crippled as they are internally irrationally trying to destroy the Thals simply because they're different. In light of the way they are characterised, it's all the more unfortunate that the Androgums are depicted as impulsive, base, reflexively cruel, red-haired, heavy-browed, big-nosed, warty, etc. Throw in some space hippos (Scotts own creations, the Harrigain, who have popped up across media now) and neer-do-wells and youve something that feels like its taken a shot of adrenaline before breakfast. Mark Strickson remains thoroughly underrated as Turlough and. Those kinds of stories - gothic colonialist fiction of the 19th century which found its way into 20th century pop-culture via movies - carry certain kinds of baggage with them because they stem from British imperial engagement in Egypt. Which chimes with 'The Two Doctors in which the behaviour of the Androgums has the effect of highlighting the cynicism of the Third Zoners and the Sontarans. Its this fractious relationship between the pair (Tegan angry, Kamelion unable to solve this problem) that forms the crux of the emotional heart of this four-part adventure, and adventure is very much the right word. The 'Vice' who is relished for his own villainy but is also a kind of dramatic highlighter, showing up the (often less than pure) moral condition of the other characters? I think the production team created a story that, like many stories during their era, was a reiteration/adaptation of classic, gothic genre fiction. Im not sure it does.
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